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Analysis of the Haiku structure

lune d'hiver -
le souvenir soudain
du parfum des lilas


Damien Gabriels, France
cco 2015-12-2

Commentaire.

L'ajout d'une perception sensorielle est toujours efficace. Les perceptions ajoutent des liens qui permettent le rappel des images lors de perceptions similaires. C'est le cas dans la Madeleine de Proust. C'est aussi une technique qui permet de "convoquer" du vécu de l'auteur dans l'espace si restreint du haïku.

Keywords

moon memories scent flower

Structure of this haiku.

Used techniques :

* sabi - Sabi
The sabi is a concept of Japanese aesthetics, derived from Zen Buddhist concepts, linked to the feeling created by the alteration by time, the decrepitude of aging things, the patina of objects, the mark of Time. The charm of things that have lived (Vintage des Américains).

Are sabi: Used steps from an old staircase, worn clothing, a rusty railing, a patinated knob...

In connection with Sabi-wabi.
http://en.wikipedia.org/wiki/Japanese_aesthetics

* soudain - Sudden modification.
The haiku describes a sudden, sometimes unexpected event. He grabs something that just happened. It appears as a transition between two states: before and after.

* multisens - Synestesia - Multi-senses perception.
Haïkus using effects on several senses (hearing, touch, taste, vision, smell). They play on the phenomenon of resonance between feelings (Synesthesia). This device usually produces strong haikus because they are physical.

* psycho - Haiku with a psychological background.
Haiku can have a reading level that expresses an underlying psychological situation that is still active. It is not sure if this analysis is accurate. It can simply exist in the reader's mind. It is almost always absent from the author's intention, as can be seen from the author's request for information.

* xxx - Undefined appeal.
Haïku having something undefinable that deserves further study.

* absence - The main element is not explicit.
The haiku is structured around an unnamed element to which each image refers. The interest is to save the space that would be used by naming the element while having the effect it produces.

The haiku can appear as a vault from which the scaffolding has been removed. If the haiku is well composed, the main element is absent but everything refers to it.

This technique delays storage in memory because the reader must complete the discourse with the unnamed element so that the haiku is unambiguously understandable. It then acquires a higher memory weight.

* archetype - Active archetypes.
Active presence of archetypes that have determined relationships between images. These archetypes are structures that have aggregated seeds (meanings) and are patterns inherited from the collective unconscious. These are the models that we use to organize our perception of the World.

Archetypes and dialectics

* A_ChoseActiveEnfouie - Hidden active things

Toute chose non nommée enfouie dans des profondeurs, qui serait active et produirait des effets perceptibles. Concept de l'Inconscient.
A différencier de la Chose Cachée, qui n'a pas d'activité au niveau profond.

All the author's haikus >>>