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Analysis of the Haiku structure

worn in places
to the bare wood –
the golden buddha

abimé par endroits
jusqu'au bois –
le bouddha doré


Brian Austin Darnell, USA
cco 2016-08-2

Commentaire.

Sabi. La marque du Temps, le charme tranquille des choses qui ont vécu et qui en portent la trace. Un élément essentiel de la psychologie japonaise.

Keywords

Buddha

Structure of this haiku.

Used techniques :


* sabi - Sabi
The sabi is a concept of Japanese aesthetics, derived from Zen Buddhist concepts, linked to the feeling created by the alteration by time, the decrepitude of aging things, the patina of objects, the mark of Time. The charm of things that have lived (Vintage des Américains).

Are sabi: Used steps from an old staircase, worn clothing, a rusty railing, a patinated knob...

In connection with Sabi-wabi.
http://en.wikipedia.org/wiki/Japanese_aesthetics

Effects: liainc - Binding to the Unconscious


At the level: 2-prof - Deep level
Deep and non explicit structures, active objects of the unconscious.

Description level: 5-strp - Deep structure (schemas, patterns, cultural, associations, similarities)


* archetype - Active archetypes.
Active presence of archetypes that have determined relationships between images. These archetypes are structures that have aggregated seeds (meanings) and are patterns inherited from the collective unconscious. These are the models that we use to organize our perception of the World.

Effects: liainc - Binding to the Unconscious


At the level: 2-prof - Deep level
Deep and non explicit structures, active objects of the unconscious.

Description level: 6-inf - Active infrastructure (archetypes, dialectics)


* S21 - Caesura between L2 and L3.
Caesura between L2 and L3.

Effects: liadyn - Binding with dynamics effects


At the level: 1-surf - Surface level
Discourse, surface structures, content, subject, style.

Description level: 2-strs - Organization, surface structures

Archetypes and dialectics

* A_Temps - Time.

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