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Analysis of the Haiku structure

jour d 'émeutes-
sous les fumigènes
un lilas blanc


Francine Aubry, France
cco 2018-05-1

A rapprocher d'un haïku de cette quinzaine sur les bombes et les fleurs sauvages. Le discours est asé sur l'opposition entre brutalité, chimique, odeur agressive versus douceur, nature et odeur agréable. On peut aussi noter le jeu des couleurs entre la blancheur entre le lilas et les fumigènes.

Keywords

social urban protest tree blooming flower

Structure of this haiku.

Used techniques :

* opposition - Images in opposition.
Images with a group of opposite senses. The images are in opposition to each other. However, the opposite semes are grouped into dialectics. A dialectic is composed of opposite semes, like the two sides, poles of the same grade.

For example:
- Top and Bottom.
- Inside and Outside
- Big and Tiny

* fin - Final element give the clue.
A detail at the end reveals the real meaning of haiku.

* multisens - Synestesia - Multi-senses perception.
Haïkus using effects on several senses (hearing, touch, taste, vision, smell). They play on the phenomenon of resonance between feelings (Synesthesia). This device usually produces strong haikus because they are physical.

* archetype - Active archetypes.
Active presence of archetypes that have determined relationships between images. These archetypes are structures that have aggregated seeds (meanings) and are patterns inherited from the collective unconscious. These are the models that we use to organize our perception of the World.

Archetypes and dialectics

* A_Rencontre - The Unexpected Encounter.

La rencontre fortuite entre deux êtres avec un moment où quelque chose se passe entre eux.

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