Analysis of the Haiku structure
que de papillons sacrifiés
pour ce lustre!
Sarra Masmoudi, Tunisie
Au delà du motif archétypal de la Mort dans la Lumière, un possible discours feuilleté. Plusieurs lectures possibles dépendant du contexte du lecteur. Très fort.
Islam butterfly death light lamp religion
Structure of this haiku.
Schema and motifs :
Motif : mmm010 -
Motif : mmm023 -
Used techniques :
* atmosphere - Atmosphere.
Something emerges from all the elements that constitute haiku: a climate, an atmosphere. The author does not state this explicitly. It is the reader who reconstructs it from his or her own experience.
This is especially true in three-segment haiku, also called "grocery list". But this effect can also be achieved in other ways.
The mention of feelings related to the weather and taste adds a multisensory dimension to the atmosphere created.
* avis - Opinion given by the author.
The author tells his/her views or an explanation. The speech is not neutral at the first level of reading/writing. This is not a haiku where the author explains to the reader what he or she should understand, usually completed and of no interest. Here, the author gives an indication that is part of the elements of the discourse in addition to the others and that is not a redundancy (redundancy, precision, explanation).
* archetype - Active archetypes.
Active presence of archetypes that have determined relationships between images. These archetypes are structures that have aggregated seeds (meanings) and are patterns inherited from the collective unconscious. These are the models that we use to organize our perception of the World.
* opposition - Images in opposition.
Images with a group of opposite senses. The images are in opposition to each other. However, the opposite semes are grouped into dialectics. A dialectic is composed of opposite semes, like the two sides, poles of the same grade.
- Top and Bottom.
- Inside and Outside
- Big and Tiny
* feuilleté - Multilevel discourse, layered haiku.
Haikus with two (or more) reading levels. A first objective level referring to a situation, another underlying level saying something else. The Chinese are fond of this type of discourse with many levels.
These various levels may be conscious or unconscious.
We find a little bit of this technique consciously applied in the weather haiku. The weather element can be understood as an mention to the weather and as the element that creates the atmosphere of haiku.
The two levels of discourse are conscious and disjointed and well visible in haiku tanka, of which they form the two parts. However, they overlap in the layered haiku.
Translated with www.DeepL.com/Translator
* concordance - Accordance between the surface and deep discourses
Accordance between superfical and deep discourses. Two parallel discourses.
* fin - Final element give the clue.
A detail at the end reveals the real meaning of haiku.
Archetypes and dialectics
* A_Mort - Death.
Contexte de mort (deuil, décès, cimetière...) ou pulsion de mort (guerre, violence...).
* A_Lumière - The Light.
A mettre en relation avec la Lumière dans la Nuit.
* D_ClairSombre - Light <> Darkness.
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